Posts Tagged ‘Marketing’


Democratized Culture and You.

November 22nd, 2010

Each week that I post these articles I’m careful to include embedded links to the different subjects I talk about, so that while you read the blog posts you can click on the links (highlighted in blue) to learn more about the individual people or companies mentioned. While I have metrics that show how many people open my emails and how long they stay open, I have no idea how many of you actually click on the links.

To get the most out of this post, though, you really need to open the links, at least the first one that says, “click HERE.” Perhaps it’ll seem like a bother and take a little longer than usual but I promise the interactive exercise will be worth the effort.

Fellow art director Steve Saley turned me onto a terrific three-minute film called The Porcelain Unicorn. The film is the brainchild of American director and producer, Keegan Wilcox, the winner of the Tell It Your Way short film contest sponsored by Philips. To watch this wonderful film, click HERE. I’ll see you again in a few minutes. No, don’t worry about me, I’ll wait.

Welcome back. Was the film as good as I promised it would be? Besides being moved by the touching script and great storytelling, did you notice how beautiful the high-definition footage was? While Wilcox is clearly very talented, this filmmaker also had the benefit of great actors, lighting technicians, musicians, editors and prohibitively expensive professional equipment, right?

Not exactly.

The entire film was shot on the new Canon 35mm SLR with HD video, a $1,600 camera that looks exactly like the camera you carry on vacation! You can learn more about the camera by clicking HERE. You can even buy one at Amazon by clicking HERE.

This line of new Canons has been revolutionizing the filmmaking business. A slightly more expensive model, the 5D Mark II, was used to shoot the entire House season finale (and yes, you can read more about that HERE). As they say in the article, “May 17 (the date the finale airs), [is] the date when the grumpy doctor you wish you were and the snazzy camera you wish you owned will join forces on American network television.”

To quote late-night television, “But wait, there’s more…” This same Canon 5D was used to film behind the scenes at this year’s Emmy intro with Jimmy Fallon, Tina Fey, Betty White, Jon Hamm and Kate Gosselin (to watch the sneak peak, click HERE). Not only that, but the segment was edited on a MacBook Pro with Final Cut Pro, the same type of laptop that this blog post was written on.

Moore’s law, first published in Electronics Magazine on April 19, 1965, states that technology (specifically semi-conductors installed on silicone chips) will double in power and halve in price every two years. Think about what this means for the future of creativity. Equipment expense, once a barrier for all but the most well heeled creative types, will no longer be a consideration. Soon, the next Bergmans and wannabe Hitchcocks will be able to create their visions with equipment that they might already have at home. And because Internet sites such as YouTube and Vimeo eliminate distribution expense, the process of creating and sharing high-quality content will become entirely democratic and open to all.

That means that the future started yesterday and the brave new world is already here. Creative expression is available to everyone at a very low cost and that everyone includes you. The time has come for you to write your great American novel, shoot your movie, produce your album or express yourself anyway you like. When you do, send me a link and I’ll post it right here for everyone to enjoy.




Creating Something Out Of Nothing

November 9th, 2010

Pedro and I before the race

At 5:45 last Sunday morning, I walked into the lobby of the Hilton Hotel on 53rd Street in Manhattan and joined the crowd getting ready to run the New York Marathon. I was amazed by the energy of groups of nylon-clad athletes waiting to head to Staten Island and the race’s start.

There were runners from every country – big groups of Argentines, Brazilians, Dutch, and Australians (the Kenyans and Ethiopians had already been transported to the elite runner starting line, of course) and lots and lots of New Yorkers. Everyone was chatting excitedly, checking their running watches for the umpteenth time, re-knotting their shoes and scarfing down piles of New York bagels.

Finally I got onto the bus and sat next to my friend Pedro Madeira, the general manager of Joma USA, a Spanish soccer and running outfitter. As the bus whooshed into the midtown tunnel and out of Manhattan, Pedro told me about his time as general manager of Nike in Brazil and the business they built around the Brazilian national soccer team.

Under the watchful eye of Trevor Edwards, VP of Global Brands for Nike, Pedro found ways to capitalize on the Brazilian soccer team’s influence around the world. Before the team was scheduled to play in a great world city (Paris, Seoul, etc.), Pedro’s group would coordinate with the Nike representative in that city to make sure there was plenty of special edition apparel on hand for sale. Fans excited about the world champion Brazilian team coming to their town would snatch up shoes, clothes, and accessories; anything that had both the Nike logo and the Brazilian team’s colors.

The best part was that none of this merchandise was really new. It required no new R&D and very little new design work. Instead, what the fans cared about was the uniqueness of the products and how they related to their favorite team’s image. So a shirt with a different sleeve design, or a soccer boot with a different color pattern was all it took to produce additional sales.

What was required, though, was logistics – making sure the newly colored merchandise was created, distributed and shipped in time to catch the fans’ fever. But, as Pedro pointed out, none of this required new offices, stores, people or distribution networks. Instead, it was a matter of the various Nike people around the world coordinating their efforts in order to make the sale.

When Pedro left Nike to join Joma, he took this same ability to find the opportunities hidden in plain sight with him. Even though Joma didn’t have the enormous marketing budgets or sponsorship connections of Nike, there were still opportunities to be mined.

Pedro and his team analyzed Joma’s abilities and uniquenesses and looked for ways to create real breaks. The Spanish brand had been selling competitive quality goods at ±20% less than the bigger brands such as Nike and Adidas. And thanks to tough economic times, the pricing strategy was scoring some successes. So Pedro looked deeper into Joma’s distribution system and found a new opportunity for profits.

Because Joma operated from a single distribution point in Madrid and had developed a very powerful logistics system with FedEx and UPS, the Spanish company was able to ship products around the world within two days. Discovering that fact was when Pedro heard opportunity knocking.

Pedro’s sales force began reaching out to high school team sport managers and coaches around the country to let them know that Joma could outfit their entire teams in only two or three days.

Imagine the competitive advantage! While the big boys needed three weeks to three months to deliver a team’s uniforms, Joma could deliver in just a couple of days, making the coaches’ jobs easier. And because the parents of the players paid for the uniforms, the coaches had a much easier time collecting when the parents were saving 20%.

Most importantly, as with Nike, Joma was able to create this new business channel without adding any new expenses; the entire program worked within the company’s existing infrastructure – it required no new people, plants or processes.

The opportunity was hidden in plain sight; it just took creativity and an open mind to identify and exploit it. Which are the same skills you need to find the hidden profit centers in your business and the hidden pleasure centers in your life. Before you start thinking it’s impossible, think of what Pedro accomplished for his companies without spending a dime. And then, as Nike says, “Just Do It.”




The Simple Precision Of Language.

October 6th, 2010

Do you know how to read musical notation? If you do, you know that when you’re reading music you’re actually reading at least two things simultaneously. Written music tells you what note to play and when to play it.

Written language, on the other hand, only tells you one thing – what letter to pronounce. Of course, punctuation helps indicate pacing – pause at a comma, stop at a period, I’m not really sure what to do at a semicolon – but it’s still up to the reader to interpret how the author wanted the piece paced.

For example, read the following sentences aloud and place the emphasis on the underlined word. You’ll see how the pacing, and the meaning, can change based on where you choose to place the emphasis.

I didn’t say you should leave now.

I didn’t say you should leave now.

I didn’t say you should leave now.

I didn’t say you should leave now.

I didn’t say you should leave now.

I didn’t say you should leave now.

I didn’t say you should leave now.

Music notation is not like that. The composer provides the note to play, the time signature to play it in, the exact time each note should be played, the way the note should be attacked and the volume with which the note should be played. That’s why an entire orchestra can play a piece of music simultaneously and get it mostly right on their first reading. Of course the conductor can add flavorings and nuance, as can each player, but the basic structure still provides instructions for every part of the composition.

At the same time, musical notation has a way to allow the musician to add his or her own ideas, or improvisation, to the piece. Here the composer might suggest what the musician should play but also provides for the instrumentalist to create their own music and explore their own musical ideas by playing what they feel, and hopefully, what fits into the structure of what the rest of the ensemble is playing.

Ironically, written language, which doesn’t put nearly the same restraints on interpretation of prose, has no such flexibility. Sure, a rabbi or minister might halt their liturgical reading to allow parishioners to riff on a theme (they call it private mediation) but when was the last time you were reading a novel and the author inserted a few blank pages for you to add your own thoughts? There’s no room for readers to add their own words to a written piece.

That’s why sarcasm and irony seldom works well in print or static online advertising. It’s one thing for the copywriter to add their own inflection to a headline when they present it to a client but it’s quite another to expect a reader to add that same emphasis. Instead, the language of ads must be clear, simple, and to the point. Hopefully this will cause an emotional response without depending on a specific interpretive performance from the reader.

Imagine if Gershwin had e-mailed the lyrics of his famous song to his manager:

“You like potato and I like potato,

You like tomato and I like tomato,

Potato, potato, tomato, tomato,

Let’s call the whole thing off.”

Say what? Call the whole thing off just because we use the same words? Clearly something was lost in the transmission.

Remember Gershwin when you’re writing to be understood and when you’re writing to be influential. Your reader most certainly won’t read your text the way you want them to; instead they’ll bring their own pacing, emphasis and meaning to your words. To build your brand value it’s important that your intention be so clear that your audience will internalize it no matter how they pace their reading.

By writing simply and clearly, the results of their interpretation will be music to your ears.




The Boomers Shall Inherit the Earth.

August 3rd, 2010

Baby Boomers are creating the largest and wealthiest generation in history. What are you doing to prepare for this unprecedented opportunity? [TO READ ARTICLE, CLICK ON TITLE]




LOL, LMAO, IMHO, POS and Other Critical Acronyms.

July 19th, 2010

My experience proves that Delta stands for “Doesn’t Ever Leave The Airport.” What do other acronyms say about the brands they represent? [CLICK ON TITLE FOR WHOLE ARTICLE]




What Will Happen When People Forget About The Oil Spill?

June 7th, 2010

What happens when the next great new event pushes the Deepwater Horizon off the front pages? What will be the long-lasting effects to the beachfront tourism industry from Texas to Florida and beyond? [PLEASE CLICK ON THE TITLE FOR THE WHOLE STORY]




Why People Shouldn’t Not Come

June 4th, 2010

Saying “we don’t have oil” is just telling people why they shouldn’t not come. Surely there’s got to be a better solution to saving gulf coast tourism. [CLICK ON TITLE FOR WHOLE STORY]